Korg Electronic Keyboard LP 350 User Manual

 
Precautions  
Location  
Using the unit in the following locations can result in a malfunction.  
In direct sunlight  
Locations of extreme temperature or humidity  
Excessively dusty or dirty locations  
Locations of excessive vibration  
Close to magnetic fields  
Power supply  
Please connect the designated AC adapter to an AC outlet of the correct voltage. Do not  
connect it to an AC outlet of voltage other than that for which your unit is intended.  
Interference with other electrical devices  
Radios and televisions placed nearby may experience reception interference. Operate this  
unit at a suitable distance from radios and televisions.  
Handling  
To avoid breakage, do not apply excessive force to the switches or controls.  
Care  
If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such  
as benzene or thinner, or cleaning compounds or flammable polishes.  
Keep this manual  
After reading this manual, please keep it for later reference.  
Keeping foreign matter out of your equipment  
Never set any container with liquid in it near this equipment. If liquid gets into the equip-  
ment, it could cause a breakdown, fire, or electrical shock.  
Be careful not to let metal objects get into the equipment. If something does slip into the  
equipment, unplug the AC adapter from the wall outlet. Then contact your nearest Korg  
dealer or the store where the equipment was purchased.  
Notice regarding disposal (EU only)  
When this “crossed-out wheeled bin” symbol is dis-  
played on the product, owner’s manual, battery, or  
battery package, it signifies that when you wish to dis-  
pose of this product, manual, package or battery you  
must do so in an approved manner. Do not discard  
this product, manual, package or battery along with  
ordinary household waste. Disposing in the correct  
manner will prevent harm to human health and potential  
damage to the environment. Since the correct method of dis-  
posal will depend on the applicable laws and regulations in  
your locality, please contact your local administrative body for  
details. If the battery contains heavy metals in excess of the  
regulated amount, a chemical symbol is displayed below the  
“crossed-out wheeled bin” symbol on the battery or battery  
package.  
2
 
THE FCC REGULATION WARNING (for USA)  
This equipment has been tested and found to comply with the  
limits for a Class B digital device, pursuant to Part 15 of the  
FCC Rules. These limits are designed to provide reasonable  
protection against harmful interference in a residential instal-  
lation. This equipment generates, uses, and can radiate radio  
frequency energy and, if not installed and used in accordance  
with the instructions, may cause harmful interference to radio  
communications. However, there is no guarantee that interfer-  
ence will not occur in a particular installation. If this equip-  
ment does cause harmful interference to radio or television  
reception, which can be determined by turning the equipment  
off and on, the user is encouraged to try to correct the interfer-  
ence by one or more of the following measures:  
• Reorient or relocate the receiving antenna.  
• Increase the separation between the equipment and receiver.  
• Connect the equipment into an outlet on a circuit different from that  
to which the receiver is connected.  
• Consult the dealer or an experienced radio/TV technician for help.  
Unauthorized changes or modification to this system can void  
the user’s authority to operate this equipment.  
*All product names and company names are the trademarks or registered trademarks of  
their respective owners.  
3
 
Before you begin ............................................................ 10  
Connect the AC adapter ...................................................10  
Adjusting the tempo of the demo song .........................14  
Using the pedals ................................................................17  
Pedal settings in Layer mode ..........................................18  
Metronome .........................................................................18  
Chapter 4 .......................................................... 21  
Other functions .............................................................. 21  
Keyboard touch control setting .......................................21  
Transpose ...........................................................................21  
Pitch control .......................................................................22  
Selecting a temperament ..................................................23  
4
 
MIDI ................................................................................. 25  
What can you do using MIDI? ........................................25  
About the maximum polyphony ....................................31  
Specifications ................................................................. 32  
Assembling the stand ................................................... 33  
Caution during assembly .................................................33  
Assembly procedure .........................................................33  
Check following assembly ...............................................37  
Other cautions ...................................................................38  
Sound select button function list ................................. 39  
Keyboard function list ................................................... 39  
MIDI Implementation Chart ........................................... 40  
5
 
Main features  
30 different high-quality sounds  
Thirty richly expressive high-quality sounds are built in, including a stereo concert  
grand. In addition to playing one sound at a time, the LP-350 will allow you to layer  
two sounds together.  
Effects  
The LP-350 provides both Reverb, which simulates the natural ambience of a con-  
cert hall; and Chorus, which adds richness and motion to the sound.  
Pedal simulation  
As on an acoustic piano, the LP-350 has three pedals that control the damper, soste-  
nuto and soft effects. The damper pedal and soft pedal will respond to half-pedal-  
ing, allowing you to vary the depth of the effect by the degree to which you press  
the pedal.  
Pedal unit  
The position of the pedal unit can be adjusted to accommodate any player  
or performing style.  
Metronome  
The built-in metronome lets you adjust the time signature, tempo, and volume; a  
bell sound is available for the accent.  
Touch control  
You can choose from three different “touch-curves” to determine how the sound  
will respond to the dynamics of your keyboard playing.  
Temperament  
In addition to equal temperament, you can select two types of historical tempera-  
ment (Kirnberger and Werckmeister) for authentic performances of historical music.  
When an acoustic piano sound is selected, the stretched tuning used on pianos is  
automatically selected.  
Adjustable pitch  
You can use the transpose function to transpose the LP-350 into any musical key,  
and use the pitch control to make fine adjustments to the pitch.  
MIDI connectivity  
The LP-350 is equipped with MIDI, the standard way to exchange performance data  
between electronic musical instruments and computers. MIDI allows connected  
devices to control each other, and also allows the LP-350 to be used as a sixteen-part  
multi-timbral sound module.  
Robust sound system  
The internal sound system features two 10 cm speakers driven by a two 11W amps,  
beautifully reproducing the rich sounds and distintive resonance of the instrument.  
Dual headphone jacks  
Two headphone jacks are provided, allowing two people to listen simultaneously -  
parent and child, student and teacher, etc.  
6
 
 
Chapter 1  
Front, top, and rear panels  
Front panel  
Power switch  
Headphone jacks  
Speakers  
1. Power switch: Turns the LP-350 on/off.  
2. Headphone jacks: Up to two headphones can be connected here. The jacks  
accommodate stereo phone (1/4") jacks.  
Use the MASTER VOLUME slider to adjust the volume. When headphones are  
connected, the LP-350’s internal speakers are silenced.  
3. Speakers: The LP-350’s internal speakers are located here.  
7
 
     
Top panel  
Music stand  
1. Music rack: This provides a convenient place to rest your sheet music and scores.  
Do not apply excessive pressure  
to the key cover when securing a  
music book in an opened posi-  
tion.  
2. MASTER VOLUME slider: Controls the volume of the internal speakers, head-  
phone jacks, and line output jacks.  
3. REVERB button: Turns the reverb on/off, adding ambience to the sound.  
4. CHORUS button: Turns the chorus on/off, adding richness to the sound.  
5. TOUCH button: Selects the keyboard sensitivity (touch curve).  
6. TRANSPOSE/FUNCTION button: This button is used to control the transposi-  
tion, pitch, and temperament, and to set MIDI and other parameters.  
All settings will return to their factory settings when you turn off the  
power.  
7. BANK button: Use this to button between the three sound banks.  
8. SOUND SELECTION buttons: Press a button to select a sound. You can press  
two buttons at the same time to layer two sounds across the keyboard. There are  
a total of thirty sounds (10 x 3 banks).  
9. DEMO button: Plays demo songs. Use the SOUND select buttons to select from  
thirty different demo songs (10 x 3 groups).  
10. METRONOME button: Starts or stops the metronome.  
11. TEMPO slider: Adjusts the tempo of the metronome.  
8
 
 
Rear panel  
1. MIDI (IN, OUT) connectors: These jacks allow you to connect the LP-350 to  
other MIDI devices (e.g., computer, synthesizer, ).  
IN:  
This receives MIDI messages (connect it to the MIDI OUT of an external  
MIDI device that’s controlling the LP-350).  
OUT: This transmits MIDI messages (connect it to the MIDI IN of an external  
MIDI device that’s being controlled by the LP-350).  
2. Line out jack: This jack allows youto connect the LP-350 to an external sound  
system, or to the input of an audio recorder. This is a stereo miniature (1/8") jack.  
3. Speaker connector: Connect the cable from the speaker box here.  
4. Pedal connector: Connect the cable from the pedal unit here.  
5. DC IN connector: Connect the power supply (AC adapter) here.  
Use only the included AC adapter. Using a different AC adapter may cause  
malfunctions.  
6. Cable hook: Wrap the AC adapter cable around this hook, so that it stays  
securely connected, and does not put any strain on the connector/jack.  
9
 
 
Chapter 2  
Before you begin  
Connect the AC adapter  
1. Make sure that the LP-350 is turnedoff.  
2. Connect the AC adapter cable to the included AC adapter.  
You must use the included AC adapter and AC adapter power cable. Using  
a different AC adapter or cable may cause malfunctions.  
AC adapter  
Power cable for AC adapter  
3. Connect the AC adapter to the DC IN connector located on the LP-350’s rear  
panel.  
4. Wrap the AC adapter cable around the cable hook.  
Don’t pull with excessive force when detaching the cable from the hook.  
5. Connect the AC adapter to an AC outlet.  
10  
 
     
Opening or closing the key cover  
The key cover can be easily opened or closed.  
Opening the key cover  
1. Using both hands, gently lift the key cover to open it.  
Closing the key cover  
1. Raise the edge, and gently pull the key cover toward yourself.  
2. When the key cover begins to close on its own, release it.  
The key cover is designed to close naturally from about mid-way down.  
Do not use excessive force to close the key cover. Do not apply pressure to  
the top of the key cover.  
Be careful not to pinch your fingers or hands when closing the key cover.  
The temperature and humidity will affect how fast the key cover closes.  
11  
 
 
Using headphones  
If you’re using headphones, connect them to the headphone jack. If your head-  
phones have a mini (1/8") jack, you’ll need to use a 1/8"  
1/4" adapter.  
Grasp the plug (or adapter), not the cable, when connecting or disconnect-  
ing headphones.  
If headphones are plugged into the headphone jack, the LP-350’s speakers will not  
produce sound. Use headphones at night, or when you don’t want to be heard by  
those nearby.  
To protect your hearing, don’t listen through headphones at high volumes  
for an extended period of time.  
Turning the power on  
Press the power switch to turn on the LP-350. When you do so, indicators above the  
front panel sound select buttons and BANK button etc. will light.  
To turn the power off, press the power switch once again.  
Adjusting the volume  
Use the MASTER VOLUME slider to adjust the volume of the internal speakers,  
headphone jacks, and the line out jack.  
Move the slider toward the left to decrease the volume, or toward the right to  
increase the volume.  
When adjusting the volume, start with the MASTER VOLUME slider at the  
0 position, and move it gradually toward the right to increase the volume  
gradually.  
Connecting the line out jack  
If you want to connect amplified speakers (other than the LP-350’s own built-in  
speakers), or to a PA system or recording setup, connect the line out jack to the input  
jack of your equipment.  
The line out jack is a stereo mini (1/8") connector. Use a commercially available  
cable of the appropriate type for the equipment you’re using.  
Turn off the power of the LP-350 and your other equipment before making  
connections. Making connections while the power is on may damage the  
LP-350 or the connected equipment or cause malfunctions.  
12  
 
       
Listening to the demo songs  
The LP-350 contains thirty demo songs, with ten songs in each of three groups.  
Here’s how to listen to the demo songs and enjoy the LP-350’s rich sounds and  
expressive potential.  
SOUND button  
Group 1  
Group 2  
Korg original  
Reflection  
Group 3  
C. Debussy  
Arabesque no.1  
F. Mendelssohn  
Prelude op.104a-2  
[PIANO 1/L] (1)  
F. Chopin  
Nocturne op.9-2  
S. Joplin  
The Entertainer  
J.S. Bach  
Two-part Invention no.13  
[PIANO 2/M] (2)  
[E.PIANO 1/H] (3)  
C. Debussy  
Clair de Lune  
Korg original  
Jumper  
F. Chopin  
Fantaisie-Impromptu op.66  
Korg original  
All the Ones You Don’t Prelude (from Well-Tem-  
Know  
J.S. Bach  
Korg original  
Lullaby for a Little Star  
[E.PIANO 2] (4)  
pered Clavier no.1)  
L.v. Beethoven  
Fur Elise  
J.S. Bach  
Italian Concerto  
Korg original  
Rubber Bob  
[HARPSI/CLAV] (5)  
[VIBES/GUITAR] (6)  
F. Chopin  
Tristesse op.10-3  
Korg original  
Jazz in Spain  
R. Schuman  
Traumerei op.15-7  
W.A. Mozart  
(7) Sonata K.331 mvt.3 "Turk-  
ish March"  
Korg original  
Cool “B”  
F. Mendelssohn  
Spring Song op.62-6  
[ORGAN 1]  
[ORGAN 2]  
F. Chopin  
(8) Waltz no.6 in D flat major  
“Minute Waltz” op.64-1  
F. Mendelssohn  
Wedding March  
Korg original  
Sunflowers  
Korg original  
Old Feather Blues  
J.S. Bach  
Air on the G String  
P. D. Paradisi  
Toccata in A major  
[STRINGS/PAD] (9)  
[CHOIR] (10)  
Korg original  
Noise of Time  
Korg original  
Voice Texture  
Korg original  
Wet Raccoon Rag  
* Korg original compositions and performances: M. Tempia  
Playing all of the demo songs  
Here’s how you can listen to all of the demo songs.  
1. Press the DEMO button.  
The indicators above the sound select buttons will blink successively from left to  
right, and three seconds later, the demo songs will play consecutively, beginning  
with the first song in group 1.  
When the last demo song in group 3 ends, the entire cycle will repeat.  
You can hear the demo songs in the same order as described above by holding  
down the TRANSPOSE/FUNCTION button and pressing the E1 key.  
However, you won’t be able to use the operation of step 2 (switching demo  
songs within a group).  
13  
 
   
2. During playback, you can switch to a different demo song within that group  
by pressing the sound select button to which that song is assigned.  
For example if the first demo song in group 1 is playing, and you want to switch  
to the last demo song (10) in that group, press the [CHOIR] sound button. When  
the last demo song in that group ends, the first demo song in the group will  
begin, and playback will continue successively.  
3. To stop playback, press the DEMO button.  
Playing a specific demo song  
Here’s how to listen to a specific demo song.  
1. Select the group that contains the desired demo song.  
To select group 1 ... press the DEMO button once.  
The indicators above the sound select buttons will blink consecutively from left  
to right.  
To select group 2 ... press the DEMO button twice.  
The indicators above all of the sound select buttons will all blink simultaneously.  
To select group 3 ... press the DEMO button three times.  
The indicators above adjacent sound select buttons will blink simultaneously.  
2. Press the sound select button assigned to the demo song you want to hear.  
For example if you want to start with the group 2-(1) demo song, press the  
[PIANO 1/L] sound select button.  
When the selected demo song finishes playing, the demo songs in that group  
will continue playing consecutively.  
If approximately three seconds elapses without a song being selected, play-  
back will automatically start with the group 1-(1) demo song, and then the  
demo songs will play consecutively. In this case, the song will play repeat-  
edly from group 1-(1) to group 3-(10).  
3. To stop playback, press the DEMO button.  
Pressing the keys will produce sound even while a demo song is playing,  
but you won’t be able to use the sound select buttons to change sounds.  
Adjusting the tempo of the demo song  
You can use the TEMPO slider to adjust the tempo of the demo song. However, the  
tempo of the demo song will not match the markings of the TEMPO slider.  
When the demo song changes, the tempo will revert to the original tempo  
of that song.  
You can’t use the metronome while a demo song is playing.  
14  
 
   
Chapter 3  
Playing the LP-350  
Selecting a sound (Single mode)  
The LP-350 gives you a choice of thirty (10 x 3 banks) high-quality sounds.  
SOUND button  
[PIANO 1/L]  
Bank 1  
Grand piano  
#
Bank 2  
Bright piano  
Detuned piano  
Stage electric piano  
Digital electric piano  
Clavi  
#
Bank 3  
Mellow piano  
Electric grand piano  
Thin electric piano  
Vintage electric piano  
Wah clavi  
#
2
2
2
[PIANO 2/M]  
[E.PIANO 1/H]  
[E.PIANO 2]  
Club electric piano  
80’s electric piano  
Harpsichord  
2
2
1
1
2
3
2
1
2
1
1
1
1
2
1
2
2
1
2
1
1
1
2
1
1
2
[HARPSI/CLAV]  
[VIBES/GUITAR]  
[ORGAN 1]  
Vibraphone  
Marimba  
Acoustic guitar  
Jazz organ 3  
Church organ 3  
Strings  
Jazz organ 1  
Church organ 1  
Slow strings  
Jazz organ 2  
Church organ 2  
Warm pad  
[ORGAN 2]  
[STRINGS/PAD]  
[CHOIR]  
Choir “Hoo”  
Choir “Doo”  
Choir pad  
#:This is the number of oscillators used by the sound (“About the maximum polyphony” on  
page 31)  
1. Press one of the sound select buttons  
The indicator above that button will light.  
2. Press the [BANK] button several times to select the desired bank.  
Each time you press the button, the bank will cycle in the order of 1, 2, 3, 1, ...  
The indicators at the right of the BANK button indicate the selected bank.  
For example, to select “Electric grand piano”  
Press the [PIANO 2/M] sound select button. Then press the BANK button twice.  
The indicator above the [PIANO 2/M] sound select button buttonand the indi-  
cator at the lower right of the BANK button (bank 3) will light.  
The selected bank is remembered for each sound button.  
When you turn the power on, bank 1 will be selected for each sound select  
button.  
Playing two sounds together (Layer mode)  
Here’s how to play two sounds simultaneously. This is called Layer mode.  
Layering sounds of the same bank  
1. Simultaneously press the sound select buttons of the two desired sounds.  
15  
 
       
The LP-350 will be in Layer mode, and the indicators above the two sound select  
buttons will light.  
Layering sounds in different banks  
each sound.  
For example if you want to layer Mellow Piano with Jazz Organ 2, press the  
[PIANO 1/L] sound select button and choose bank 3 (Mellow Piano), and then  
press the [ORGAN 1] sound select button and choose bank 2 (Jazz Organ 2).  
2. Simultaneously press the two sound select buttons for the sounds you  
selected in step 1.  
The LP-350 will be in Layer mode, and the indicators above the sound select but-  
tonses for the sounds you selected will light.  
The polyphony is limited by the number of oscillators used by the sounds  
you select. ( “About the maximum polyphony” on page 31,)  
You can’t simultaneously select two sounds that are accessed by the same  
the [PIANO 1/L] sound select button).  
3. To return to Single mode, press a sound select button to select a single sound.  
Adjusting the volume balance of two layered sounds  
Press the two sound select buttons of the layered sounds. Then while holding down  
the sound select button of the sound whose volume you want to decrease, repeat-  
edly press the sound select button of the sound whose volume you want to increase.  
The settings you make in Layer mode will be cleared when you turn off the  
power. You can use the Data Dump function to save your Layer mode set-  
tings on an external MIDI data filer (“MIDI data dump” on page 29).  
Effects (reverb and chorus)  
Reverb adds ambience and depth to the sound, producing the sense of performing  
in a concert hall.  
Chorus adds modulation to the sound, adding richness and motion.  
The effect settings you specify for each sound are remembered, even when you  
switch sounds.  
However if you change the effect settings while in Layer mode, and then switch to  
Single mode, the settings that had been specified in Single mode will return.  
Using reverb will decrease the maximum polyphony by 10 notes, and  
using chorus will decrease it by 3 notes ( “About the maximum polyph-  
ony” on page 31).  
16  
 
 
When you turn off the power, the effect settings will return to their factory  
settings. You can use the Data Dump function to save your effect mode set-  
tings on an external MIDI data filer (“MIDI data dump” on page 29).  
You can’t change the effect (reverb, chorus) settings while a demo song is  
playing.  
1. To turn the reverb on, press the REVERB button. To turn the chorus on, press  
the CHORUS button.  
The indicator above each button will light.  
2. To adjust the settings of the reverb or chorus effect, hold down the REVERB  
or CHORUS button and press the [PIANO 1/L], [PIANO 2/M], or [E.PIANO 1/  
H] sound select button.  
The reverb or chorus effect will be set as follows.  
Sound button  
[PIANO 1/L]  
Reverb effect setting  
Light  
Chorus effect setting  
Light  
[PIANO 2/M]  
[E.PIANO 1/H]  
Medium  
Deep  
Medium  
Deep  
To check the setting of the reverb effect or chorus effect  
Hold down the REVERB button; the indicator above one of the sound select  
buttons [PIANO 1/L]–[E.PIANO 1/H] will light to indicate the current setting.  
Hold down the CHORUS button; the indicator above one of the sound select  
buttons [PIANO 1/L]–[E.PIANO 1/H] will light to indicate the current setting.  
3. To turn the reverb off, press the REVERB button. To turn the chorus off, press  
the CHORUS button.  
The indicator above the button will go dark.  
Using the pedals  
The LP-350 has three pedals; damper, sostenuto, and soft.  
You can use the pedals to make your playing more expressive and realistic.  
Soft pedal  
Sostenuto pedal  
Damper pedal  
Damper pedal  
The notes will be sustained while you hold down this pedal, and the sound will  
have a richer resonance. The degree to which you press this pedal will change the  
amount of the damper effect (i.e., half-pedaling is supported).  
17  
 
 
Sostenuto pedal  
The damper effect will be applied only to the notes that were already being held  
down when you pressed this pedal, and those notes will be sustained while you  
continue holding down the pedal. The damper effect will not be applied to notes  
that were played after you pressed this pedal.  
Soft pedal  
While you hold down this pedal, the sound will be softer and more mellow. The  
degree to which you press this pedal will change the amount of the soft pedal effect  
(i.e., half-pedaling is supported).  
Pedal settings in Layer mode  
If desired, you can make the damper pedal apply only to one of the two sounds in  
Layer mode.  
This setting will be reset when you turn off the power. You can use the Data  
Dump function to save the settings on an external MIDI data filer (“MIDI  
data dump” on page 29).  
1. While holding down the TRANSPOSE/FUNCTION button, press the damper  
pedal.  
Each time you press the pedal, the indicator above the sound select buttons  
you’ve selected for layering will light alternately or together.  
2. When the indicator above the sound select button for the sound that you want  
to use the pedal effect is lit, release the TRANSPOSE/FUNCTION button.  
Metronome  
You can adjust the tempo and time signature of the metronome, and select an accent.  
Turning the metronome on/off  
When you press the METRONOME button the indicator will light and the metro-  
nome will start at the tempo indicated by the TEMPO slider. To stop the metronome,  
press the METRONOME button once again.  
Adjusting the metronome volume  
To lower the volume, hold down the METRONOME button and press the  
[STRING/PAD] sound select button (or the B5 key) several times.  
To raise the volume, hold down the METRONOME button and press the [CHOIR]  
sound select button (or the C6 key) several times.  
18  
 
   
To return to the standard volume, hold down the METRONOME button and press  
the [STRINGS/PAD] and [CHOIR] sound select buttons (or the B5 and C6 keys)  
simultaneously.  
B5C6  
C4  
Button (key)  
Setting  
Lower the volume  
Button (key)  
Setting  
[STRINGS/PAD] (B5)  
[CHOIR] (C6)  
Raise the volume  
Adjusting the tempo  
You can adjust the tempo in a range of  
= 40 – 200.  
Inputting a numerical tempo value  
The TEMPO slider lets you set an approximate tempo. You can use the keyboard to  
specify a precise numerical tempo value.  
1. Hold down the METRONOME button.  
2. Use the C5–A5 keys to enter a three-digit tempo value.  
If the desired value has only two digits, select a 0 first.  
To set the tempo to 85, hold down the METRONOME button and successively  
press the keys C5 (0), G 5 (8), and F5 (5) in that order.  
To set the tempo to 168, hold down the METRONOME button and successively  
press the keys C 5 (1), F 5 (6), and G 5 (8) in that order.  
C4  
C5  
A5  
Key  
C5  
Numeral  
Key  
Numeral  
0
1
2
3
4
F5  
5
6
7
8
9
C 5  
F 5  
D5  
G5  
D 5  
G 5  
E5  
A5  
19  
 
Setting the time signature  
An accent will be added to the first beat of each measure.  
Sound button  
[PIANO 1/L]  
Time signature  
2 beats (2/4, 2/8...)  
3 beats (3/4, 3/8...)  
4 beats (4/4, 4/8...)  
6 beats (6/4, 6/8...)  
[PIANO 2/M]  
[E.PIANO 1/H]  
[E.PIANO 2]  
1. Hold down the METRONOME button, and press the sound select button for  
the desired time signature.  
An accent will be added at the beginning of each measure.  
2. To silence the accent, press the sound select button whose indicator is lit  
when you hold down the METRONOME button.  
You can check the current metronome setting by holding down the METRO-  
NOME button and noting which of the sound select button indicators is lit.  
When you turn off the power, the time signature setting will be cleared (to  
no accent).  
Changing the accent  
Here’s how to change the metronome’s accent sound.  
1. Hold down the METRONOME button, and press the [VIBES/GUITAR] sound  
select button.  
The accent will change to a bell sound, and the [VIBES/GUITAR] indicator will  
light.  
2. To return to the standard accent, hold down the METRONOME button and  
press the [HARPSI/CLAV] sound select button.  
The [HARPSI/CLAV] indicator will light.  
You can check the currently selected accent sound (standard or bell) by holding  
down the METRONOME button and noting which of the sound select button  
indicators is lit.  
When you turn off the power, the accent will revert to the standard sound.  
20  
 
Chapter 4  
Other functions  
Keyboard touch control setting  
You can change the way in which the sound will  
respond to the dynamics of your playing.  
Loud  
Light  
To change the setting, hold down the TOUCH  
button and press one of the [PIANO 1/L],  
[PIANO 2/M], or [E.PIANO 1/H] sound select  
buttons.  
Loudness  
Normal  
Heavy  
Strong  
If the light or heavy setting is selected, the indi-  
cator above the TOUCH button will be lit.  
Soft  
Playing  
strength  
Gentle  
You can also change the touch control setting by  
holding down the TRANSPOSE/FUNCTION  
button and pressing the B3, C4, or D2 key  
Sound button  
[PIANO 1/L]  
Key  
B3  
Touch control setting  
Light ... even a light touch can produce loud sounds  
Normal ... normal piano touch  
[PIANO 2/M]  
[E.PIANO 1/H]  
C4  
D4  
Heavy ... strong playing is required to produce loud sounds  
You can check the currently selected touch control setting by holding down the  
TOUCH button and noting which of the sound select button indicators is lit.  
When you turn off the power, this will revert to the standard setting.  
Transpose  
The LP-350’s Transpose function lets you shift the pitch of the LP-350 into any musi-  
cal key, allowing you to play using simpler fingering, or to accompany a vocal or  
different instrument without changing the fingering you’ve learned.  
You can transpose the key within a range of eleven semitones.  
If you’ve transposed the key a semitone upward, playing the notes shown at left  
will actually produce the pitches shown at right.  
Transposition will be cancelled when you turn off the power.  
21  
 
       
1. While holding down the TRANSPOSE/FUNCTION button, press one of the  
F#6–F7 keys to specify the desired transposition.  
If you press a key other than C7, the TRANSPOSE/FUNCTION button indicator  
will light, and pitch of the entire keyboard will be shifted.  
2. To return to the original pitches, hold down the TRANSPOSE/FUNCTION  
button and press the C7 key.  
The button indicator will go dark, and transposition will be cancelled.  
F 6 key  
C7 key  
0.  
The normal state.  
F7 key  
+5 semitones. The C7 key  
will sound the F7 pitch.  
–6 semitones. The C7 key  
will sound the Fꢁ  
6 pitch.  
Key  
Keyboard pitch  
F 6–B6  
6–1 semitones lower  
Normal (no transposition)  
1–5 semitones higher  
C7  
C 7–F7  
Pitch control  
Here’s how to make fine adjustments to the pitch.  
If you’re performing together with other instruments and there’s a slight difference  
in pitch between instruments, you can adjust the pitch of the LP-350 in 0.5 Hz steps  
over a range of 12.5 Hz (427.5 Hz–452.5 Hz). The standard pitch is A=440 Hz.  
When you turn off the power, this will revert to the standard setting (A=  
440 Hz).  
1. Hold down the TRANSPOSE/FUNCTION button and press the B5 or C6 key.  
2. The pitch will go down by 0.5 Hz each time you press the B5 key, and go up by  
0.5 Hz each time you press the C6 key.  
22  
 
 
3. To return to the standard pitch, hold down the TRANSPOSE/FUNCTION but-  
ton and press the B5 and C6 keys simultaneously.  
C4  
B5 C6  
Key  
Pitch  
B5  
Pitch falls by 0.5 Hz each time you press  
Standard pitch (A4=440 Hz)  
B5+C6  
C6  
Pitch rises by 0.5 Hz each time you press  
Selecting a temperament  
Many compositions of classical music were created with a specific historical temper-  
ament (tuning method) in mind. In order to reproduce the original beauty of these  
compositions, the LP-350 lets you choose from three temperaments: Kirnberger,  
Werckmeister, and the equal temperament most widely used for keyboard instru-  
ments used today.  
1. Hold down the TOUCH button and press the [HARPSI/CLAV] or [VIBES/  
GUITAR] sound select button.  
The indicator above the button you selected will light.  
Sound button  
Temperament  
Werckmeister: This is the Werckmeister III scale, cre-  
ated by the German organist and musical theoretician  
Andreas Werckmeister.  
This temperament was developed during the late  
Baroque era to allow relatively flexible modulation  
between keys.  
[HARPSI/CLAV]  
Kirnberger: This is the Kirnberger III scale, created by  
Johann Phillip Kirnberger in the early 18th century.  
It is used mainly for tuning harpsichords.  
[VIBES/GUITAR]  
Equal temperament: Nearly all of today’s keyboard  
instruments use equal temperament. It places the notes  
of the chromatic scale at equal intervals, allowing the  
same scale to be played in every key.  
Both [HARPSI/CLAV] and  
[VIBES/GUITAR] indica-  
tors unlit  
2. To return to equal temperament, hold down the TOUCH button and press the  
[HARPSI/CLAV] or [VIBES/GUITAR] sound select button whose indicator is  
lit.  
You can check the currently selected temperament by holding down the TOUCH  
button and noting which sound select button indicator is lit.  
When you turn off the power, the temperament will revert to equal tem-  
perament.  
23  
 
 
About stretched tuning  
The [PIANO 1/L] and [PIANO 2/M] sounds use stretched tuning. In order to obtain  
a more natural sound, stretched tuning tunes the lower notes slightly flatter and the  
higher notes slightly sharper than the equal tempered pitches. Acoustic pianos are  
normally tuned using stretched tuning.  
24  
 
Chapter 5  
MIDI  
What’s MIDI?  
MIDI (Musical Instrument Digital Interface) is a world-wide standard for transfer-  
ring performance-related information between electronic musical instruments and  
computers.  
What can you do using MIDI?  
By using MIDI, you can control another MIDI device from the LP-350 or play the  
LP-350’s sound generator from another MIDI device. You can also use the LP-350 in  
conjunction with a sequencer or multiple MIDI devices to enjoy complex ensembles.  
MIDI connections  
MIDI cables (sold separately) are used to transfer MIDI data. Connect the cable  
between the LP-350’s MIDI connector and the MIDI connector of your external  
MIDI device. There are two types of MIDI connector.  
MIDI sound module  
LP-350 rear  
MIDI keyboard  
MIDI OUT: This transmits MIDI data. The MIDI messages transmitted when you  
play the LP-350’s keyboard can play or control an external MIDI  
device.  
Connect a MIDI cable from the LP-350’s MIDI OUT connector to your  
external MIDI device’s MIDI IN connector.  
MIDI IN:  
This receives MIDI data. MIDI messages transmitted from an external  
MIDI device (e.g., MIDI keyboard or sequencer) can control or play  
the LP-350’s sound generator.  
Connect a MIDI cable from the LP-350’s MIDI IN connector to your  
external MIDI device’s MIDI OUT connector.  
25  
 
         
Basic MIDI settings  
When you turn on the power, the LP-350’s MIDI parameters are set as follows.  
Parameter  
Transmit channel  
Receive channel  
Local On  
Setting  
1
Receive all (1-16)*  
Omni Off  
* The metronome sound (D5 , E5) is assigned to be received on channel 10. For this reason,  
channel 10 will not receive program change messages.  
Changing the transmit channel  
MIDI has sixteen channels (1–16) on which data can be transmitted and received.  
When you turn on the power, the transmit channel is automatically set to 1. If you  
want to change the transmit channel, hold down the TRANSPOSE/FUNCTION  
button and press one of the keys C2–D 3 to which the desired channel is assigned.  
C3  
C2  
C4  
Key  
C2  
Channel  
Key  
Channel  
1
2
3
4
5
6
7
8
G 2  
A2  
9
C 2  
10  
11  
12  
13  
14  
15  
16  
D2  
A 2  
D 2  
B2  
C3  
E2  
F2  
C 3  
F 2  
D3  
G2  
D 3  
If you’re in Layer mode, selecting the transmit channel will specify the channel  
whose MIDI program change number (PC#) is lower. The transmit channel of the  
higher PC# will automatically be set to the next-numbered channel. For example if  
you assign MIDI channel 7 for the sound whose MIDI program change number  
(PC#) is lower, MIDI channel 8 will automatically be selected for the sound whose  
PC# is higher. If you assign MIDI channel 16 to the sound whose PC# is lower, MIDI  
channel 1 will automatically be selected for the sound whose PC# is higher.  
26  
 
   
Using the LP-350 as a multi-timbral sound module  
By using an external MIDI device to control the LP-350’s internal sound generator,  
you can use the LP-350 as a 16-part multi-timbral sound module.  
1. Use a MIDI cable to connect the LP-350’s MIDI IN connector to the MIDI  
OUT connector of your sequencer or other MIDI device.  
2. Transmit MIDI data from the connected sequencer or MIDI device.  
For details on how to transmit data from the connected sequencer, refer to its  
owner’s manual.  
If the LP-350 receives program change messages along with the performance data, it  
will play the notes using the internal sound that corresponds to that program num-  
ber. However, the project change setting must be enabled for this to happen.  
Local on/off  
With the Local On setting, playing the LP-350’s keyboard will make the internal  
sound generator produce sound and will also transmit MIDI data. With the Local  
Off setting, playing the LP-350’s keyboard will not make the internal sound genera-  
tor produce sound; only MIDI data will be transmitted. Normally you’ll leave this  
setting at Local On.  
You can use the Local Off setting if you’re using the LP-350 as a master keyboard,  
for example to play sounds on MIDI equipment (a keyboard or sound module etc.)  
that’s connected to the LP-350. The LP-350 will not produce sound, but your perfor-  
mance will be sounded by the connected MIDI device.  
You can also use the Local Off setting if you’re using the LP-350 as a sound module  
(for example when the LP-350 is connected to a computer), so that the LP-350 will  
not sound each note in duplicate; once when you play its keyboard and a second  
time in response to the data echoed-back (retransmitted) from the computer.  
To switch between the Local On/Off settings, hold down the TRANSPOSE/FUNC-  
TION button and press the [PIANO 1/L] sound select button. Each time you press  
it, the Local setting will alternate between On and Off.  
Local setting  
Local On  
PIANO 1 indicator  
lit  
Local Off  
dark  
When you turn off the power, this setting will revert to Local On.  
Program change  
You can transmit MIDI program change messages from the LP-350 to switch pro-  
grams on a connected MIDI device. The LP-350 will also switch programs when it  
receives MIDI program change messages from a connected MIDI device. For the  
correspondence between program change numbers and sounds, refer to “program  
change” below.)  
27  
 
     
Program change transmission  
When you select a sound on the LP-350 using the sound select buttons and BANK  
button, a MIDI program change message of the corresponding number 0–29 will be  
transmitted.  
Program change reception  
When the LP-350 receives a program change number 0–29, it will switch to the cor-  
responding sound.  
Program change numbers and sounds  
PC#  
Sound button  
Sound bank  
Sound  
0
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
Grand piano  
Bright piano  
1
[PIANO 1/L]  
2
Mellow piano  
Honky-tonk piano  
Detuned piano  
Electric grand piano  
Club electric piano  
Stage electric piano  
Thin electric piano  
80’s electric piano  
Digital electric piano  
Vintage electric piano  
Harpsichord  
3
4
[PIANO 2/M]  
[E.PIANO 1/H]  
[E.PIANO 2]  
[HARPSI/CLAV]  
[VIBES/GUITAR]  
[ORGAN 1]  
5
6
7
8
9
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
Clavi  
Wah clavi  
Vibraphone  
Marimba  
Acoustic guitar  
Jazz organ 1  
Jazz organ 2  
Jazz organ 3  
Church organ 1  
Church organ 2  
Church organ 3  
Slow strings  
[ORGAN 2]  
[STRINGS/PAD]  
[CHOIR]  
Warm pad  
Strings  
Choir "Hoo"  
Choir "Doo"  
Choir pad  
28  
 
Enabling/disabling program changes  
Enable this setting if you want program change messages to be transmitted and  
received, or disable it if you don’t want these messages to be transmitted or  
received.  
To enable or disable program changes, hold down the TRANSPOSE/FUNCTION  
button and press the [PIANO 2/M] sound select button. Each time you do so, the  
setting will switch between Enabled and Disabled.  
Setting  
Enabled  
Disabled  
PIANO 2 indicator  
lit  
dark  
When you turn off the power, the setting will revert to Enable.  
Control changes  
Messages such as operations of the LP-350’s damper pedal can be transmitted to a  
connected external MIDI device to control it, and these messages can be received  
from an external MIDI device to control the LP-350.  
Enabling/disabling control changes  
Enable this setting if you want control change messages to be transmitted and  
received, or disable it if you don’t want these messages to be transmitted or  
received.  
To enable or disable control changes, hold down the TRANSPOSE/FUNCTION but-  
ton and press the [E.PIANO 1/H] sound select button. Each time you do so, the set-  
ting will switch between Enabled and Disabled.  
Setting  
Enabled  
Disabled  
E.PIANO 1 indicator  
lit  
dark  
When you turn off the power, the setting will revert to Enable.  
MIDI data dump  
The LP-350 can transmit its sound settings and effect settings to an external MIDI  
data filer (storage device) for saving. When desired, you can load this data back into  
the LP-350 to reproduce the saved settings.  
Carefully read the owners manual for your data filer, and be sure not to  
delete important data that you want to keep.  
Do not touch the LP-350’s keyboard or buttons while a data dump is being  
executed.  
29  
 
   
The following table shows the data that will be saved by a data dump.  
Type  
Data  
Single mode  
Layer mode  
Reverb and chorus settings (on/off and effect depth)  
Volume balance, and damper on/off setting for each sound  
Saving data on your data filer  
1. Use a MIDI cable to connect the LP-350’s MIDI OUT connector to your data  
filer’s MIDI IN connector.  
2. Operate your data filer so that it is waiting to receive MIDI data from the LP-  
350.  
3. On the LP-350, hold down the TRANSPOSE/FUNCTION button and press  
the [VIBES/GUITAR] sound select button.  
The indicators above each button will blink; the LP-350 is waiting to transmit a  
data dump.  
If you decide to cancel the data dump, press the TRANSPOSE/FUNCTION but-  
ton or the [VIBES/GUITAR] sound select button.  
4. Press the TOUCH button.  
The data dump will begin, and the data will be transmitted to your data ler.  
When transmission is finished, the data will be stored on your data filer and the  
LP-350 will return to the normal state in which it can be played.  
The LP-350 will not produce sound while waiting to transmit a data dump, or  
while transmitting data to a data filer.  
Loading data from your data filer  
1. Use a MIDI cable to connect your data filer’s MIDI OUT connector to the LP-  
350’s MIDI IN connector.  
2. On the LP-350, hold down the TRANSPOSE/FUNCTION button and press  
the [VIBES/GUITAR] sound select button.  
The indicators above each button will blink; the LP-350 is waiting to receive a  
data dump.  
If you decide to cancel the data dump, press the TRANSPOSE/FUNCTION but-  
ton or the [VIBES/GUITAR] sound select button.  
3. Operate your data filer to transmit the previously-saved LP-350 data.  
For details on how to transmit data, refer to the owners manual of your data  
filer.  
The LP-350 will receive the data, and when all data has been received, it will  
return to the normal state in which it can be played.  
The LP-350 will not produce sound while waiting to receive a data dump, or  
while receiving data to a data filer.  
30  
 
Chapter 6  
Appendix  
Troubleshooting  
If you experience a problem, please check these points first. If the LP-350 still does  
not operate correctly, contact a Korg service center.  
Problem  
Action  
Make sure that the AC adapter is correctly connected to  
the LP-350 and to an AC outlet.  
Power does not turn on.  
Make sure that the LP-350’s volume is not set at zero. If  
it is, raise the volume to an appropriate level.  
Make sure that MIDI Local Control is not turned Off. If  
Local Control is Off, turn it On.  
No sound.  
Make sure that nothing is plugged into a headphone  
jack. If something is plugged into a headphone jack,  
unplug it.  
You’re exceeding the maximum polyphony. Refer to the  
section "About the maximum polyphony," below.  
Notes are interrupted.  
The piano sounds are designed to reproduce the sound  
of an actual piano as faithfully as possible.This may give  
you the impression that there is something wrong with  
the pitch or tone, such as some overtones appearing to  
be louder in certain ranges of the keyboard, but this is  
not a malfunction.  
Something is wrong with the  
pitch or tone of the piano  
sound in a specific range.  
A connected MIDI device  
does not respond to transmit-  
ted MIDI data.  
Make sure that all MIDI cables are connected correctly.  
Make sure that the LP-350 is receiving MIDI data on the  
About the maximum polyphony  
The LP-350’s maximum polyphony is 60 notes, but this will change depending on  
the number of oscillators (individual notes in the sound generation circuitry) used  
by the selected sound, and on the effects you’re using.  
If you’re not using effects, and you select a sound such as [HARPSI/CLAVI] that  
consists of a single oscillator, the maximum polyphony will be 60 notes. However if  
you select a sound such as [PIANO 1/L] that consists of two oscillator, the maxi-  
mum polyphony will be 30 notes. The number of oscillators used by each sound is  
shown in the table “Selecting a sound (Single mode)” on page 15 .  
If you’re using effects, the polyphony will decrease by 10 notes when using reverb,  
or by 3 notes when using chorus.  
31  
 
       
Keep the maximum polyphony in mind and choose your sounds carefully when  
using Layer mode to play two sounds simultaneously, or when using the damper  
pedal or applying effects.  
You can use the following equation to calculate the maximum polyphony when  
using different combinations of sounds and effects.  
(60 – polyphony used by effects)  
usable polyphony  
÷
number of sound oscillator = maximum  
Example 1:[PIANO 1/L] bank 1 (Grand Piano) is selected and reverb is on  
(60 – 10) 2 = 25 (maximum usable polyphony is 25)  
Example 2:[HARPSI/CLAV] bank 2 (Clavi) is selected and chorus is on  
(60 – 3) 1 = 57 (maximum usable polyphony is 57)  
÷
÷
Since the LP-350 is designed to turn off the oldest sounding notes and give priority  
to newly played notes, currently-sounding notes will be interrupted when you  
exceed the maximum polyphony.  
Specifications  
88-note, velocity sensitive with Korg RH3, Real weighted  
hammer action 3  
Keyboard  
Touch control  
Pitch  
Light, normal, heavy  
Transpose, Fine tuning  
Temperaments  
Sound generation  
Polyphony  
Sounds  
Equal temperament, Kirnberger, Werckmeister  
Stereo PCM sound generation  
60 (maximum)  
30 (10 x 3 banks)  
Metronome  
Pedals  
Tempo, time signature, accent, volume  
Damper pedal, soft pedal, sostenuto pedal  
Line out, MIDI (IN, OUT), headphone x 2, pedal, speaker connector  
Connectors  
Power switch, master volume, reverb, chorus, touch, trans-  
pose/function, bank, sound, tempo, metronome, demo  
Controls  
Amp output  
Speakers  
11W x 2  
10 cm x 2  
Power supply  
DC 12V, AC adapter (included)  
1,353 x 277 x 777 mm / 53.27 x 10.91 x 30.59 inches  
1,353 x 353 x 946 mm / 53.27 x 13.90 x 37.24 inches (key  
cover open, anti-tipping blocks installed)  
Dimensions (W x D x H)  
Weight  
42.5 kg / 93.70 lbs.  
Included items  
AC adapter (12V,  
)
Specifications and appearance are subject to change without notice for improvement.  
Sound Processed with INFINITY  
32  
 
 
Assembling the stand  
Warning  
At least one other person must help you assemble the stand.  
Caution during assembly  
In order to assemble the stand safely, please observe the following points.  
• Make sure that you have the correct part in the correct orientation, and per-  
form the assembly in the order given.  
• If you apply excessive force to the front of the digital piano before fastening it  
to the stand, it may fall down. Please use caution.  
Assembly procedure  
You’ll need a Phillips (+) screwdriver.  
1. Make sure that you have all of the following parts.  
Speaker box  
Side panel (right)  
Side panel (left)  
Pedal box  
Anti-tipping block (right)  
Anti-tipping block (left)  
Screws (M6) ... 10 pcs.  
Caps ... 10 pcs.  
Knob bolts ... 2 pcs.  
33  
 
     
2. Using screws (M6), attach the left and right side panels, the speaker box, and  
the pedal box.  
Position the speaker box with its speaker cable upward (the speakers facing  
yourself). You will re-tighten all the screws after the entire piano is assembled.  
Speaker cable  
Screws  
Pedal cable  
Screws  
You must attach the anti-tipping blocks to the rear edge of the left and right  
side panels unless you will be placing the LP-350 against a wall.  
To attach the anti-tipping blocks to the side panels, fasten each block with a  
screw from behind. Make sure that the area of contact between the side  
panel and anti-tipping block is flat.  
Anti-tipping block  
Screw  
34  
 
If you’ve attached the anti-tipping blocks to the left and right side panels, you’ll  
have the option of moving the pedal box toward the rear if desired. Attach the  
pedal box in the position that’s most comfortable for your height, build and  
playing style.  
Speaker cable  
Screws  
Pedal cable  
Screws  
Anti-tipping block  
3. With another person helping you, lift the keyboard unit and place it on the  
stand. Then use the two knob bolts to fasten the keyboard unit to the stand  
through the metal brackets.  
When placing the keyboard unit on the stand, align the corners of the keyboard  
unit with the stand.  
Be careful not to pinch your fingers.  
Knob bolts  
35  
 
4. Make sure that there are no gaps or misalignments in the stand, and securely  
tighten all of the screws.  
5. Attach the caps to the screw holes of the left and right side panels.  
Caps  
6. Unscrew the adjuster until it firmly contacts the floor.  
If the adjuster is not in firm contact with the floor, you may hear buzzes in the  
sound, or malfunctions may occur.  
Adjuster  
36  
 
7. Connect the pedal cable and speaker cable to the connectors on the LP-350’s  
rear panel. Then use the cable holder to secure the pedal cable.  
Pay attention to the orientation of the connectors when connecting the  
pedal cable and speaker cable.  
Speaker cable  
Cable holder  
Pedal cable  
8. Connect the dedicated cable to the AC adapter. Then plug the AC adapter into the  
DC IN connector, and wrap the cable around the cable hook of the digital piano.  
For details, refer to “Connect the AC adapter” on page 10 .  
9. Place the digital piano where you intend to use it. Make sure to place it in a  
safe location where the floor is flat and stable.  
When setting the digital piano in place, make sure that the stand does not  
rest on the AC adapter cable or pedal cable.  
For greater safety, we recommend that you always attach the anti-tipping  
blocks to the rear of the left and right side panels.  
Check following assembly  
Are any parts left over?  
If any parts are left over, carefully review the assembly procedure to see  
where those parts should have been used.  
• Make sure that all screws are tight.  
37  
 
 
Other cautions  
Please check the following points after assembly.  
Loosened screws  
The screws may loosen as time passes after assembly. You should periodically  
check whether any screws have become loose. If you feel that the stand  
vibrates excessively, it is possible that screws have come loose. If so, re-  
tighten them.  
When moving the digital piano to another location  
Remove the keyboard unit from the stand, and transport the keyboard unit  
and stand separately. Afterward, reassemble them as described in “Assem-  
bling the stand.”  
Disassembly  
If you need to disassemble the stand, do so by reversing the steps of the  
assembly procedure. After disassembly, keep the screws and other parts in a  
safe place so that they are not lost.  
38  
 
 
Sound select button function list  
By pressing a sound select button while holding down the REVERB, CHORUS,  
TOUCH, METRONOME, or TRANSPOSE/FUNCTION buttons, you can adjust the  
parameters shown in the following table.  
[PIANO [PIANO [E.PIANO [E.PIANO[HARPSI/ [VIBES/ [ORGAN [ORGAN [STRINGS/  
Sound switch  
CHOIR  
1/L]  
2/M]  
1/H]  
2]  
CLAV]  
GUITAR]  
1]  
2]  
PAD]  
Light  
Medium  
Medium  
Normal  
REVERB  
CHORUS  
TOUCH  
Deep  
Deep  
Light  
Light  
Werck-  
meister  
Heavy  
Kirnberger  
Bell sound  
Lower  
Raise  
metro-  
metro-  
Standard  
accent  
METRONOME 2/4 time 3/4 time 4/4 time 6/4 time  
Program  
nome  
nome  
volume volume  
Control  
change change  
TRANSPOSE/ Local  
FUNCTION On/off  
Data dump  
enable/ enable/  
disable disable  
Keyboard function list  
By pressing a key while holding down the METRONOME or TRANSPOSE/FUNC-  
TION buttons, you can adjust the parameters shown in the following table.  
* is the MIDI note number.  
Tempo value entry  
Metronome volume  
B5 = softer (–)  
C6 = louder (+)  
(Press both simultaneously  
to reset)  
METRONOME switch  
C5=0  
C 5=1 F5=5  
E5=4F G 5=8  
A5=9  
D5=2  
F 5=6  
D 5=3 G5=7  
Start demo songs  
MIDI channel Keyboard touch Pitch fine adjustment  
Transpose  
TRANSPOSE/  
FUNCTION  
switch  
C2=Ch 01  
B3 = light  
B5 = 0.5 Hz down (–) F 6…B6=-6…–1 step  
C4 = normal  
D4 = heavy  
C6 = 0.5 Hz up (+)  
(Press both simultaneously  
to reset)  
C7= 0  
D 3=Ch 16  
C 7…F7=+1…+5 step  
39  
 
   
[Digital Piano]  
MIDI Implementation Chart  
Function ...  
Transmitted  
Received  
Remarks  
Default  
Changed  
1
1
Basic channel:  
Mode  
1–16  
1–16  
Default  
3
Messages  
Altered  
15–113  
0–127  
Note numbers:  
Velocity:  
True voice  
21–108  
Note ON  
Note OFF  
9n, V=1–127  
9n, V=1–127  
Polyphonic  
Channel  
After Touch:  
Pitch Bender  
Control Change  
7
11  
64  
66  
Volume  
*1  
*1  
Expression  
Damper pedal  
*1, *3  
*1  
Sostenuto pedal  
Downlo6ad7from Www.Somanuals.com. All Manuals Search And Download.  
Soft pedal  
*1, *3  
 
91  
93  
Reverb  
*1  
*1  
Chorus  
120, 121  
All sound off, Reset all control  
0–29  
0–29  
0–29  
*2  
Program  
Change:  
True#  
System Exclusive  
System Common:  
Sound data dump  
Song Pos  
Song Sel  
Tune  
Clock  
Commands  
System Realtime:  
Local ON/OFF  
All Notes OFF  
Active Sense  
Reset  
*4  
Aux Messages:  
Notes  
*1: Transmitted and received if control changes are enabled.  
*2: Transmitted and received if program changes are enabled.  
*3: Half-pedal output values (0, 38, 74, 127).  
*4: Transmitted when returning from Layer mode to Single mode, and when Local is turned Off.  
Mode 1: OMNI ON, POLY  
Mode 2: OMNI ON, MOMO  
O:Yes  
X: No  
Mode 3: OMNI OFF, POLY  
Mode 4: OMNI OFF, MOMO  
Consult your local Korg distributor for more information on MIDI implementation.  
 
42  
 
43  
 

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